That Floating Poo Was Far Too Symbolic! These Are the TV Letdowns of the Past Year.

Looking back, we consider the TV offerings of the past year, a selection of series stand out not for their excellence, but for their notable shortcomings. Ranging from awkward sequels to confusingly poor documentaries, here are the programmes that left us scratching our heads or just reaching for the remote.

The 'Sex and the City' Sequel

How to start with this love/hate spin-off? Burdened with dreadful writing, painful arcs (justice for Miranda!), and a mere 71 seconds of fan-favourite Samantha, the series struggled to find its footing. For a moment, as the final season started, it looked like it had finally hit its stride. Then arrived an episode centered on Seema’s natural deodorant. No wonder the creator declared this would be the final series. It concluded on a bum note; the closeup of Miranda’s toilet flooded with poo was simply too on-the-nose. Still, viewers undeniably found joy picking apart every single “what on earth?” moment. And as Carrie – once again single – danced around her sprawling townhouse to Barry White, who couldn't release a small sob?

All’s Fair

‘Can Kim Kardashian act? The answer is a resounding no.’

But that was almost the least of this drama's issues. The recipient of a exceedingly uncommon no-star review, it was hard to know where to begin listing the problems. The laughably wooden writing? The tedious veneration of affluence and consumption? The almost wilful procession of tropes? Performances so bad they felt borderline spiteful? Suffice it to say “all of the above” and never speak of this series again. However, a second season has been ordered, so we’re probably going to have to.

The Charlie Sheen Documentary

Given the legal troubles, domestic violence claims and fatherly failures, it’s reasonable to say Charlie Sheen has been a troubled figure. Not you’d really have known it from this three-part docuseries which chuckled along at Sheen’s various episodes of reckless excess while failing to tell us anything we didn’t already know. Rather, it felt as if this loose cannon was being pandered to, so any pity this show might evoke should be saved for the people who have had to endure proximity with this charming but dismissive narcissist.

The Supercomputer Drama

Naturally we understood it was preposterous from the outset: a thriller about a AI known as Charlie Big Potatoes that could either solve global crises – or annihilate all of humanity. We stuck with it out of sheer love for its stars … but by the end, it felt like even they had given up trying. One scarcely reacted when his character died, and the other ended up slicing Charlie with an axe … in painfully slow-motion. That's what you call admitting defeat.

MobLand

Shady figures convening in empty boxing gyms? The Prodigy’s Firestarter jackhammering away in club scenes? The late 90s called and wants its gangland drama back.

In truth, that is harsh on the crime shows of the late 90s. Many seem a little dated now, but at least they didn’t suffer the ignominy of having to indulge baffling accents. But there were plenty of other problems. Mainly that it was just profoundly dull; a dispute over drug-selling territory between various cockney picaresques which felt a bit basic.

The Meghan Markle Series

Given the degree to which she provokes the ire of certain ostentatiously enraged commentators, it’s almost tempting to admire the Duchess of Sussex’s various forays into quaint lifestyle as intentional provocations. But then you watch them and are compelled to concede that actually, they may have a point. It’s like watching a homeware magazine animated; a poster for evening drinks with ideas of grandeur; a parade of sleeping dogs, humming beehives, Hallmark sayings and pointless crafting “tips” you’ll forget instantly. All underpinned by immense, largely unearned wealth. Ugh.

The Beckham Documentary

There are obviously fascinating things to be discussed about regarding Victoria Beckham and her struggles with career, self-image, self-worth. But for whatever reason, this three-part series opted not to say them. Instead, the experience was like reading a sales catalogue. She obviously has every right to resent what she describes as her “stern” image. But unfortunately, she failed to do herself any helps with this guarded non-event of a series.

The Game Show

It should have been the next big hit – except even camper, with a glamorous star as a deceased benefactor and a well-known personality managing her estate. What more could you want? As contestants competed, there was plenty of betrayal and squabbling. But the rules quickly became bewildering: it’s still too complicated to detail what precisely was happening. Even more regrettably, we only saw glimpses of the star via filmed videos. The series ended up smelling of a programme that was straining desperately to live up to something far greater than it.

The Lena Dunham Romcom

How do you follow a show that defined a generation? The expectation was immense for this glitzy romantic comedy about Jessica, a hopeful New Yorker who lands in London with a broken heart. The lead actress seized the opportunity by the horns and was a delight to watch, embodying Jane Austen levels of romantic ideals. But it was all very glossy and, ironically, was not enough. Plus, the sheer amount of famous cameos involved felt icky.

The Sketch Show Return

Not good enough to be ‘patchy’.

Given the smart inclusion of talented younger comics, expectations were high. But sadly, most of it didn’t land. A recurring sketch was a single joke milked to a husk but recurring in every episode. One star seemed too ready to slip into a familiar ranting mode. The writing room sketches, meanwhile, simply provoked the thought that they should probably have stayed in there a while longer.

The Knox Dramatisation

This retelling of the story of Amanda Knox was executive produced by Amanda Knox and pretty much exclusively showcased the perspective of Amanda Knox. So, while there probably is an interesting drama to be made about the tragic 2007 murder, this isn’t it. The material needed to be treated sensitively. Instead, the series laboured awkwardly to find the right tone, lumbering from oddly breezy, slightly stylised farce to ultimately, real-life horror. Twisted? Perhaps. A total mess? Very much so.

Prime Target

We love the star … but did we believe him playing the most brilliant maths genius since, a man so smart he’s on the brink of a breakthrough that could destabilise society? Nope! This international thriller about secret services spying on – and eliminating – academics honestly got more absurd by the second. Formulaic nonsense.

The Bonnie Blue Documentary

This uncritical portrait followed the online personality renowned for sexual exploits as she undertook her biggest feat yet. What on earth would motivate her? What we wanted was way more interrogation of her true psychology, plus those of the men in the queue. They could at least have interviewed the legendary mum who appeared to drag her son away from the queue. What we got was disturbing shots and zero interrogation of her notoriety whatsoever. It's staggering to consider, the filmmaker has a teenage daughter too.

Mr. Jason Davis DVM
Mr. Jason Davis DVM

A seasoned venture capital analyst with over a decade of experience in UK tech investments and startup ecosystems.